*Palmyra (Syria): View of Paper Squeeze of Inscription in Greek, Ernst Herzfeld Papers, Freer Gallery of Art and Arthur M. Sackler Gallery Archives*

Palmyra (Syria): View of Paper Squeeze of Inscription in Greek, Ernst Herzfeld Papers, Freer Gallery of Art and Arthur M. Sackler Gallery Archives


Drawing after Architecture: Renaissance Architectural Drawings and Their Reception. Venice: Marsilio, 2017.
Piranesi Unbound. Co-written with Heather Hyde Minor. Princeton: Princeton University Press, 2020.


“Print and Politics in the First American Architectural Books.” Journal18, vol. 11 (Spring 2021), special issue: The Architectural Reference. Eds. Chanchal Dadlani and Ünver Rüstem.
“Hilary Ballon (1956–2017).” With Christy Anderson, Elizabeth Easton, Sarah McPhee, and Mariët Westermann. Journal of the Society of Architectural Historians, vol. 77, no. 1 (March 2018): 6–9.
“The Grand Escalier at the Château de Versailles: The Monumental Staircase and Its Edges.” Princeton University Library Chronicle, vol. 76, nos. 1 & 2 (Autumn 2014–Winter 2015): 51–83, special issue: Versailles on Paper: A Graphic Panorama of the Palace and Gardens of Louis XIV. Eds. Volker Schröder and Gretchen Oberfranc. [PDF]
“The Lost Octagons of the Pantheon: Images and Evidence. Journal of the Warburg and Courtauld Institutes, vol. 77 (Dec. 2014): 115–43. [PDF]
“Collecting for Classics: Rare Architectural Books at the Avery Architectural and Fine Arts Library.” Zeitschrift Scholion: Mitteilungsblatt der Stiftung Bibliothek Werner Oechslin, vol. 8 (2014): 155–64.
“Drawings of the Pantheon in the Goldschmidt Scrapbook at the Metropolitan Museum of Art.” Metropolitan Museum Journal, vol. 48 (Dec. 2013): 87–120. [PDF]
“Worcester College MS B 2.3 and Its Sources: Seventeenth-Century French Drawings of Ancient and Modern Roman Architecture.” Annali di Architettura, vol. 23 (Dec. 2011): 115–51. [PDF]

Book chapters and exhibition catalogues

“The Heptaphonon and the Architecture of Echoes.” Material World: The Intersection of Art,Science, and Nature in Ancient Literature and Its Renaissance Reception. Ed. Guy Hedreen, NIKI Studies in Netherlandish-Italian Art History, vol. 13, 163–79. Leiden; Boston: Brill, 2021.
“Leonardo on the Stairs.” With Michael Cole. Leonardo in Dialogue: The Artist Amid His Contemporaries. Eds. Francesca Borgo, Rodolfo Maffeis, and Alessandro Nova. Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Studi e Ricerche, vol. 12, 307–17, 453–62. Venice: Marsilio, 2019.
“Inhabited Sculptures, Lethal Weapons.” Tributes to David A. Freedberg: Images and Insight. Ed. Claudia Swan, 329–42. London; Turnhout: Harvey Miller Publishers; Brepols, 2019.
“Building in Theory and Practice: Writing about Architecture in the Renaissance.” A Companion to Renaissance and Baroque Art. Eds. Babette Bohn and James M. Saslow, for Blackwell Companions to Art History, 582–601. Hoboken, NJ: Wiley-Blackwell Publishers, 2012.
“Pietro Francavilla, Cambrai, 1548–Paris, 1615, Record Drawings of Giambologna’s Models for the Apennines, the Fountain of Samson and a Philistine, and a Fountain of Neptune, 1580–1602.” Catalog entry in Donatello, Michelangelo, Cellini: Sculptors’ Drawings from Renaissance Italy. Ed. Michael W. Cole, 236–38. London: Paul Holberton Publishing, 2014.
The Greatest Grid: The Master Plan of Manhattan. Ed. Hilary Ballon. New York: Columbia University Press, 2012. Contributed forty catalog entries and the four essays “Modern Reforms,” “Moving on the Grid,” “Sidewalks,” and “Urban Paradigm: The Grid in Contemporary Thought.”


Mark McDonald, Architecture, Topography, and Military Maps, 3 vols. (Harvey Miller, 2019), in Journal of the Society of Architectural Historians 82, no. 1 (Mar. 2023): 88–9. [PDF]
Dario Donetti and Cara Rachele, eds., Building with Paper: The Materiality of Renaissance Architectural Drawings (Turnhout: Brepols, 2021), in Journal of the Society of Architectural Historians 81, no. 4 (Dec. 2022): 514–6. [PDF]
Pirro Ligorio, Libri di Diverse Antichità di Roma, ed. Ian Campbell (De Luca Editori d’Arte, 2016), in Renaissance Quarterly 73, no. 4 (Winter 2020): 1341–2. [PDF]
Arthur Di Furia, Maarten van Heemskerck’s Rome: Antiquity, Memory, and the Cult of Ruins (Brill, 2019), in Historians of Netherlandish Art Reviews (Nov. 2019).
Exhibition review of the Plaster Cast Gallery of the Institute of Classical Architecture and Art. With Nathan Arrington, in CAA.reviews (Fall 2017). [PDF]
Matthew W. Reeve, ed., Tributes to Pierre du Prey: Architecture and the Classical Tradition, from Pliny to Posterity (London; Turnhout: Harvey Miller Publishers, 2014), in Journal of the Society of Architectural Historians 75, no. 4 (Dec. 2016): 503–5. [PDF]
Anthony Gerbino and Stephen Johnston, Compass and Rule: Architecture as Mathematical Practice in England 1500–1750 (New Haven; London: Yale University Press, 2009), in CAA.reviews (Fall 2010). [PDF]
Melanie Holcomb, Pen and Parchment: Drawing in the Middle Ages (New York; New Haven: Metropolitan Museum of Art; Yale University Press, 2009), in EAHN: European Architectural History Network Newsletter no. 1/10 (2010): 52–7. [PDF]